5.23.2012

OBSERVATION OF INLOVE #2

You’re in love with the yoga instructor.
I know this because you invite her over
for private lessons.

But you’re already certified.

And when you go to class, the beginners class
the next day, you say
namaste’ with a smile. 

-sonja lynn mata 


Note: I've been really fond of this idea of 'Observations of "inlove." ' I find that first one is more successful than this one, but like I said, I like the form and will therefore continue to write these observations.

FLOATING GODDESS


Written almost one year ago to the day. Almost. 

---
 
At Dow Lake the gang broke into two:
leaving me with Lauren.

She wore a polka dot bikini and
waddled to the lake first. I followed,
but plunged under as to avoid—
whatever.

I soon surfaced. Lauren on her back.
Floating. Floating like a Goddess.

Her cherry lip puckering. Blowing bubbles.
Her fingers white and waking. Even
Her forearms white too, but like smooth stones.

And I copied her to hear
what she was hearing.  I heard my heartbeat, my breath, my pluse
But I
did not feel like a Goddess.

-sonja lynn mata

KNEW. (Revised)


 Read the rough draft here. Even though this version isn't the final version.
 
--- 

I’m swirling a sip
of some wine
in a wide mouth Manson jar—
and we are still
breaking up over two day old
birthday pizza.

Then I said, “I tried
to drink an entire bottle of wine.”
But I had a performance to remember.

You asked if I slept with your brother.

So I stopped
on the fifth pour— when my face got hot
and I could just barely see
the script.

After the show,
I ended up burning your socks
and set of paintbrushes.

And even more in that fire,
I knew what I had done too.


-sonja lynn mata

In My Bedroom

Not a response to In Your Bedroom.

---

When I'm in my room I imagine Kurt Cobain hanging halfway out of my closet.
How I house heroin addicts, but how I am not addicted myself.  Because it's some attempt
to be better than everyone else.

And I flipped over my bed, because Kurt wanted to make a fort and hide-- like me-- from Love.
And anybody else we could love and could not love.

We wanted to be astronauts together, but astronauts couldn't have
dye jobs or day jobs. And we traded pogs, pills and amunintion. We traded
paintings of flipper babies and poetry about moon pies. But then the asshole decided
to become a musician.

But I wanted to stay a child and become a clown and join the fucking circus.
The joke is always on the one you least expect it to be.
When I'm in my room I imagine Kurt Cobain hanging halfway out of my closet.

-sonja lynn mata

5.22.2012

DATING SERIES

A series that I am forever working on.

To read what it would be like to date me, Sonja Lynn Mata, click here. <--- Also a work in progress.
----


DATING AN ACTOR

Dating an actor is a knock at the door.
And it’s his look. With his gestures inwards.

It’s a twisted program
spiraling the names of past co-stars.
Each one a sense of truth—love
(d).

And it’s an embrace--
a weight dropping to the floor &
rolling under the piano forming
scattered limbs and splattered helix hair.

It’s a rough hand searching for a denim mouth,
fumbling with left, right buttons &
right, left zippers.

And it’s an impulse—
an energy leaving your fingertips,
out of my place & directed across the curve
of my hip.

It’s a repetitious phrase. &
a slinging of text. It’s taking a breath.

Its your words unscripted,
but still sweetly projected.
It’s squeezing together knocking knees and curling elbows.

But it’s a moment not taken in because I am watching
the dust float between the lights &
desiring names like So   , Be  , Me    .

---

DATING A POET
Dating a poet is a borrowed book.
And it's his book. With his name.

It's a complied list of micro fiction
whispered into a collarbone. Hoping
that condensed conversation will heal
the fracture.

And it's a spine--
a lanky alignment breaking at the arch,
forming sky breaking ribs,
breathing harder and softer, softer till silence &
elbows still digging into a collage mattress.

It's socks kicked off and
helix hair gliding off the shoulder. &
watching it fall together.

It's tracing my hip. &
tugging on each others belt loops. It's a graceful lowering.

But it's something never intended &
our pair of lips only part at the sound of a phone
vibrating & it's louder than our
sucks and slurs.

Louder than my desire to stay. Louder than wanting to turn
your sweatshirt strings in my fist & to tongue your gap.

It's my humiliating longing for expectatings-- &
for poems titled with our name-- even if it's something
generic like   ssa, S     a, or  a       .


---

DATING A MUSICIAN
Dating a musician is something not intended
And it was you. With a subtle wonder.

And I said “yes.”

And it’s unlike dating an actor
And it’s unlike dating a poet.

And we are back—here
in my room, our index fingers
the only parts of us
together.

And you are tapping on my ribs
like they were keys. And you are
nuzzling the side of my neck like
I were the grill of a mic.

And it was you—
back at the show— a realization
that in this moment I am not your lover &
that you belong to everyone else there.

And your attempt to save the set is
by giving me an autograph on my chest,
but my legs are tired.

And I fall out of your wires
but you follow me into bed. Still
whispering lyrics into my ear.

---

DATING A SECOND MUSICIAN

Dating a second musician is a missing a tribute night.
It’s making up for it
the next day— lunch included.

And it’s unlike dating an actor
And it’s unlike dating a poet.
And it’s unlike dating a first musician.

And we are back—here
in my room, our index fingers
the only parts of us
together.

We are squished in a twin sized bed.
And you are fingering my denim mouth
like they were strings.

But
it was him— like before
back at the show— a coming out
that in this moment the scratches on your hand
were from my zipper.

And your attempt to save the set is
by giving me an autograph on my chest,
and adjusting the movement.

And I turn my hips away
and you hold me even closer—still
cradling me like. . .like. . .like


-sonja lynn mata