8.07.2012

The Story of My Uncle Juan, Uncle Tony and Two-Face

From Thought & Tina


           Uncle Alfred had just given them notice. They were in Texas. In Sometown, Texas. A Texas that no longer remained Mexican, Spanish or French. Back then, Uncle Juan and Uncle Tony continued only to speak in Spanish. They didn’t worry. The windows to their rusty blue pick-up truck were already cranked down by the time they stopped. A billboard in the distance held a faded dark cowgirl winking and wearing Larry Mahan’s. Two-Face had just farted. There was no wind. Uncle Juan, Uncle Tony and Two-Face were lost and miles from Anytown, Texas. And Texas remained dry.
Uncle Juan kicked a clay rock. Uncle Tony took off his glasses. He could barely see Uncle Juan’s outline in the distance and Uncle Tony would never make out the dust bursting off the tip of Uncle Juan’s boot. Two-Face circled the truck several times looking for shade. Uncle Tony kept silent and adjusted himself on a large rock.
“I can’t leave you,” Uncle Juan said, hooking his thumbs into his pockets.
“You can,” Uncle Tony said, his weight digging into his elbow.
“Tony. Didn’t you hear what I just said?”
Si.”
“Jesus Christ man. Lose the attitude.”
“What d-do you want m-me to do?”
“Nothing.”
“Always n-nothing.”
“Jesus Christ.”

Hours passed.

            They sat not in silence, not in whipping wind, but in tumble weed thoughts.
            Uncle Juan wanted children. He knew though, that that was no longer an option for him anymore.  Out of seven, Uncle Juan was the third oldest and the family kept producing girls. It was in Texas that Uncle Juan believed he would find love. A love that would make him tamales and remember the good times.  He believed that someday he would get married and that a good woman was still, out there, looking for him too. But it would be in Texas that Uncle Juan would branch out in every direction looking for work. Uncle Juan became a collector of odd jobs. He did everything from boulder moving, to roofing to siding. They paid rent and kept Two-Face downstairs. Two-Face rarely saw upstairs, let alone the sunlight. It wasn’t enough.
Uncle Juan, Uncle Tony and Two-Face were kicked out by Uncle Alfred, because Uncle Tony broke the fridge— leaned his whole weight on it one too many times. Or so, Cyndi, Uncle Alfred’s daughter, said at Uncle Juan’s welcome home party. She claimed that Uncle Tony didn’t have the discipline to eat his own food and that Uncle Tony was depriving her and her three children of their food, space and breath. But Uncle Tony did have the discipline for some things in life, because he simply had the hours to himself to do— whatever. It still wasn’t enough.  Uncle Alfred folded his arms in the basement doorway and said, “No más.” Uncle Juan, Uncle Tony, and Two-Face packed up soon after.
Uncle Tony sat in constant comfort, but once he started walking he’d gallop like a horse on linoleum. It was never wise to walk behind Uncle Tony, because he would get easily spooked and trot far too fast for his uneven legs to keep up with the momentum.  He often slept with sneakers on for this reason and kept them laced up at all times. When Uncle Tony was first born they told me that the doctors in San Luis Potosí kept saying polio, polio, polio. But it wasn’t polio, just some other complicated name that no one, but Uncle Juan cared to remember. No one talked about the future.
Uncle Juan kicked another rock. The toothpick between his teeth snapped as yet another truck flew by. Uncle Juan turned and walked toward the billboard. He sighed. Uncle Juan wanted to take off that dark cowgirls boots and slide his hand up her arch, past her heel and gently up the back of her leg. Kiss her thigh and remember that he loved someone. But, the fact of the matter was that Uncle Juan wasn’t going to love anyone. Uncle Juan wasn’t going to have children. Uncle Juan wasn’t going to leave Uncle Tony and Uncle Tony wasn’t going anywhere soon and no trucker was willing to take all three of them. It was Uncle Juan’s dark Mexican skin that kept them from stopping. It was Uncle Tony’s legs that kept them from stopping. It was Two-Face’s accidently cropped tail that kept them from stopping. Uncle Juan pulled out the broken toothpick, flicked the smaller half away and began to pace.
The sun had shifted and Two-Face started to growl. “What’s the matter Two-Face?” Uncle Juan said. “Come here.” Uncle Juan reached out to Two-Face and his fingers were pierced with Two-Face’s grip. A sting raced into Uncle Juan’s heart. Even with two swift kicks to the side, Two-Face wouldn’t let go. Uncle Juan felt his forehead get hotter and his breath clenched in his throat. His eyes bulged and his teeth began to splinter apart. Uncle Juan and Two-Face met each other’s gaze. Uncle Juan saw the ends of Two-Face’s mouth curve up into what looked like a smile, but Two-Face’s teeth were still digging into his flesh. Uncle Juan spat out the remainder of his toothpick and raised his boot again, but as Uncle Juan went in for another kick Two-Face simply let go. Uncle Juan’s first thoughts were not of rage or revenge, but rather the question of whether or not he believed he had just seen Two-Face smile at him— a smile that looked almost human.
“Are you O.K m-man?” Uncle Tony said. Uncle Juan said nothing as he pulled a handkerchief from this back pocket and tied it around his palm. “Sorry, I couldn’t d-do anything.”
“¡Ay Dios!” Uncle Juan shouted as Two-Face whimpered. Two-Face fled to the shade of the truck.
“Two-Face thinks we’re going somewhere?” Uncle Juan kept staring at his plan. “Debíamos haber matado esa bestia cuando teníamos la oportunidad.”
“¿Qué dijiste?”
“Debíamos haberlo dejado morir en ése sótano.”
“¿Perdón?”
“Nos echaron a patadas por causade Two-Face.”
“No hombre. Era ti.”
“No. Esta vez, no.”
“Si, hombre. Era ti. Siempre ti.”
“No. No digas eso.”
“Siempre es ti. . .”
“¡NO! ¡NO DIGAS ESO!  Esta vez, no. ¡ESTA VEZ FUE YO!”
“Desde que Abuela murió. La prometí. La prometí que te cuidaría—“
“¡CÁLLATE! ¡LO SÈ! ¡LO SÈ!”
“David, no. Ni Robert. Ni Jesús. Ni Joey. Pero yo. Yo lo hizo—”
“No puedo respirar. ¡Cállate! ¡CÁLLATE!”
“Ni Dios. . .”
“¡LO SÈ¡ No más. ”
“Siempre era yo, luchando porti. Dedicando mi vida porti, hombre—”
“¡BASTA! ¡NO HABLAS! No más. . .”
“Y nunca hacías un carajo. Ni una sola vez en tu vida hacías algo.” Uncle Tony sobbed uncontrollably. Uncle Tony could taste all those years of hatred leaking into his mouth. All those years that Uncle Juan hated him and his uneven legs. “¡Cállate! ¡NO LLORES!” But Uncle Tony couldn’t stop crying. Uncle Juan’s hand pulsed.  Uncle Juan could taste all those years of hatred too and the taste hurt. Nothing was going to silence him. Uncle Juan looked down. Two-Face was sitting next to him. A rock waited in front of Two-Face.
No más. . .”
                     
***
                      Uncle Juan dropped the clay rock. Uncle Tony could barely see Uncle Juan’s outline in the distance and Uncle Tony never did see the dust bursting off the tip of Uncle Juan’s boot. Two-Face circled Uncle Tony several times. Uncle Tony laid there in silence and watched as Two-Face smiled at him before catching up to Uncle Juan’s side.

-Sonja 
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 AN: The spacing is really off in this piece. I just copied it from a word document and then the actual layout of this blog makes the text space shorter, my apologizes if it reads weird.  To date the best piece of writing I think I've done.

8.01.2012

I don't think I was really ever on a path.

A lot of good guest artists and performance just fell into place one right after the other. Drew Richardson (Drew the Dramatic Fool), Bill Bowers (Mime), Drew again, and then Sha-Sha Higby. Each of them I took a piece here and piece there. When Dell'Arte happened, it was just kind of like "Well let's see what's down here." Like I was going down a grocery aisle. And I went for it. And I got in. Pair that with the guest artists before, during and after and well it just looked like something fun to do.

Truth be told, I don't think I want to be just a clown. It's really freaking hard. And I know and understand Drew has worked on his many skills for years and years, but his dedication to that art form is just something I don't have yet. I want to be a Neo-Futurist, F-Wordian, solo, stage-combat certified, vulnerable theater artist. Or something like that.

I realize that I don't have the discipline to be a theater artist. It really annoys me that I know Dell'Arte will kick my ass. I don't want it to. But I do. I don't think I'm making sense. I just want to be prepared and I'm not. I think I also have ignored it for a long time, I intentionally shut it out of my mind, but I don't think I am a leader. I think I follow really well. And sometimes I don't take direction well. I want it to be because I don't understand it, but it's really because I don't like it. And that's why when people like me exist in this career field, we create our own work and do our own thing. But now that I don't have OU, F-Word or DS to back up my endeavors-- pretty much a forgiving audience base, I'm really not that great.  And I guess that's scary.

I also kind of believe that I'm not that adventurous. I don't like getting into trouble. At least when it's not on my terms. Like breaking into the Forum Theater to perform F-Word's sex show I'd gladly taken any consequence that might have been dealt out if we got caught. But breaking into the Ridges, hanging in Culver's parking lot after closing hours, seeing if we can sneak into the movie theater, I just don't want to get in trouble anymore. I don't want to feel stupid is the other part. I'm completely confident taking the train and walking within the area of Ogilvie Transportation Center, but I hate getting lost. It's not fun for me, because I get scared and don't want anything bad to happen. Only in Athens would I dance like Adam at Casa. I knew people there that would find it funny. A safety net of people to walk back to after the event. I don't have the confidence to be alone. But I can walk anywhere alone.Because I'd pop in my headphones, walk with purpose, everything was intentional. I was cool.

People think I'm really outgoing. I think I over compensate about how awkward I actually feel. I've asked like three guys out on and off stage in front of the entire cast of DS, because I can stun them with that kind of event and not total strangers. Attention just came to mind.

I just want to be someone that others want to be around, yet not necessary want /to/ be. I think more than just the money part, indiegogo has given me the permission to be held accountable to every.single funder. Because I am at Dell'Arte on their dime and donation.  I really hope that will give me discipline and focus my attention. I'm scared because I'll be shutting off a lot of my habits, desires and fears off in order to succeed. I'm denying myself finding a new relationship out there, junk food, my car, pretty much anything that will not make me work as hard once I get out there. I'm changing my insides so that my outside, I guess, will be just a little brighter. I'm starting tonight. At 10 o'clock I'm going for a run. I don't know how long or how far. I'm headed West, though.

-Sonja